Demonic Recession

Recession. I was discussing it with a friend the other day and naturally (well in my world) the talk turned to the supernatural. ‘Ghost, demons, angels. They have it easy really. No worries about bills or losing their job.’ Later, I wondered if what I had said was true. Were these entities so detached from the goings on of our world?

That evening I began writing a little tale questioning just that. Though not the sort of story I normally write, I’m enjoying it. Sometimes it’s nice to break away from troubled souls, murder and guilt and write something with a bit more humour. Hell, we could all do with more of that at the moment. I didn’t really feel this was a suitable piece to develop for submission but it seemed a shame to just leave it festering on my hard-drive, so here it is (well the first part), I hope it may raise a little smile.

Oh, one more thing. Some of this is based on truth. The place Moloch finds himself working at really exists. And if truth be told, it’s even stranger than what I’ve written here.
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They had fallen from grace before of course; burning as they descended, their screams rising to the heavens, the skies closing above them, seemingly unconcerned with their suffering. At least then there had been spectacle and consequence. The whole earth had trembled that day, and did the stars in the sky not shake in awe and terror? There was no such reaction now. Man had created his own evil, his own temptations. Demons were no longer to be feared but ridiculed it seemed. Only yesterday, Moloch had turned away from the television in disgust, the object of his distaste; children’s show involving a teenage witch causing him to choke on his coffee. Moloch’s show of disapproval was just that though: a show. Deep down, he knew the television was right. He, like the others around him, were a joke. Has-beens, reduced to entertainment, or even worse than that, they were ignored.

Cutbacks. A ridiculous human term that somehow had found root in the underworld, and my, how quickly it had festered. Within weeks higher demons were going over there employees records, weaning out those who had not reached their targets, had not done enough bad deeds, collected enough souls. Positions became closed, careers stilled and when the axe came, it came without mercy. The first restructuring of Hell saw six hundred of the middle management being sent earthward, the following month, another thousand. And now here he was: Moloch, a simple worker in the confessions department, sitting at his desk, holding the letter that spoke of his redundancy. He had tried his best to ignore it for as long as he could, concentrate instead on his days work, a priest laying spread-eagled on the table before him. Though he tortured the man for confession, the priest wasn’t being very co-operative , and seeing the letter there, waiting for him, eager to spread its news, his concentration on the task in hand was somewhat lacking. In the end he gave in, and opened the letter. The terms were simple: for your hundred and fifty years service you will receive… nothing. This is hell after all. What did you expect? He screwed up the letter and walking over to the table behind him, forcing it into the priests mouth. The priest didn’t like it one bit. In fact, Moloch was certain that the man was about to voice his confession just as he had clogged his windpipe. He had no cause to hear it now. What did it matter if more sinner spoke of his evil doings, he wouldn’t get his promotion, not now. Disheartened, he reached under the table for his tool bag. There were rules to be followed when it came to confession extraction. The subject couldn’t be permantly harmed until they reached the dismemberment factory, but what could they do, sack him? Besides it had been a while. The priest struggled again against his bonds.

‘You think you have it bad Mister?’ Moloch said to him, ‘I lost my job today, can you believe that? ‘.He pulled out the hand saw, running a finger along its length to ensure it was suitably blunt and rusted, then content, rested it upon the priest’s ankles and began to cut.
************************
As it turned out life on the earth wasn’t particularly bad, just dull. He had got a job in an insurance firm (the fake documents given to him on release from the services of Hell not being impressive enough to warrant a more lucrative position) and worked in the post room, sorting letters into relevant pigeon holes, ready for distribution around the building. He tried, of course, to create a little mischief during these working hours; mixing up the letters, losing cheques behind filing cabinets and shredding others all-together. Much to his annoyance, his efforts were not noticed, or if they were the firm were apparently so used to incompetence as to let these mistakes slide. By the third week his mischief had increased to shitting on the photocopier and pissing into the staff room kettle (he was suitably impressed by the kettles manufacture being that his urine could melt plastic yet apart from a mild smoldering held the contents of his bladder as well as any steel) but apart from a meeting called by the supervisor in which he made light of the whole issue, his efforts were meet with at best bewilderment, at worst ignored completely. The world it seemed had fallen into indifference.

Later, whilst eating the neighbours cat and watching television he found out why. At every press of a button he was greeted with enough war, famine and horror to numb even the great Kuzuzazoos’ (praise to his meaty hooves) senses. And even if by some miracle the viewer had dodged these atrocities there were far more disturbing sights to be witnessed. Talent and quiz shows, reality shows, bland music channels and presenters whose faces had been pulled and tightened into grimaces that almost made him envious of their deformity, no wonder the people who resided top side didn’t know trouble when they saw it. Their minds were mush, pulverized by years of sitcoms, trampled by endless soaps and whatever was left of their grey matter beaten into submission by Jeremy Kyle. He almost felt sorry for them. Almost, but not quite. He was a demon after all. But if his time spent sky side was to be anything other than routine he would have to find a way in which to hone his talents. Who knows, if he could create enough misery and send enough souls back home the boss might even give him his old job back, or dare he envision it: a promotion? He picked the remainder of fur from out of his teeth, turned off the television and made his way to the bathroom, studying himself in the mirror. The body he had been given was a sorry sight. Short, overweight and balding, its skin pock marked and red in places, though strangely enough it had good teeth. Whoever’s it was they cared a lot more about toothpaste than they had soap and diet. The human race never failed to mystify them with their peculiarities. He unzipped his trousers, taking out his decidedly average manhood and let out a steady stream into the basin, the water hissing at the touch of his flow. Tomorrow, he thought to himself. Tomorrow will be the start.

The moon gave way to sunlight and rising early he took time to make his appearance more presentable, dressing in a clean shirt and tie, even daubing a little cologne to his weighty cheeks. To be honest, the overall effect wasn’t that much different from what he had presented the day before, but inside, he felt like a new… well, demon. Whistling, he left the house and was halfway up the drive when a purple rinse appeared over the fence.

‘’Happy today are we?’’

‘’Ah, Miss Johnson. Lovely morning isn’t it?’’

The face under the rinse scowled ‘Talks of rain later. And wind’’
‘Hmm’

‘’That’s England for you. I don’t suppose you’ve seen my cat by any chance have you. She’s not one for roaming and didn’t come home last night’’

‘’Your cat? No, can’t say I have. I’ll keep an eye out though for you.’’

The Johnson woman eyed him suspiciously for a moment, then settled on a “Well let me know if you do. Don’t know what I’d do without my Trumpton’’

It was hard to stifle his laugh hearing the name, but stifle it he did, waving goodbye as he continued towards the gate. As he turned into Parks street, his stomach rumbled and squeezing his bowl let out a loud rasp. Trumpton by name, Trumpton by nature he thought leaving the remains of Miss Johnson cat mingling with the air.

Part 2 to follow.

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It’s not that Grimm

Upon entering my living room then looking left you will see three framed photographs of wooden struts embedded upright upon a desolate sandy beach. The sky is overcast; a moment captured no doubt minutes before a coming storm and though each picture at first looks to be different from its neighbour, closer inspection reveals that each photograph is of the same scene, an illusion created by the skill of the photographer; capturing the moment utilizing different angles. I often stare at those pictures imaging myself within that cold unpopulated landscape, and the longer I look, losing myself to the images, the more I get the feeling that there is somebody, or something looking back at me.  I get the notion that one day if I look too hard, the watcher will reveal itself; a face appearing from behind the wooden struts, a grin wide upon its face.  An unsettling image perhaps, but one that I return to time and time again.  You have no doubt encountered something similar , whether it be your eyes returning to the screen displaying something you know will frightened you, but you look anyway,  or perhaps the turning of a page knowing the next line of text will horrify you with its revelation.  Whatever the medium, the act of being frightened, facing the unknown and if I may be crude for a moment: having the shit scared out of us, intrigues, draws and beckons us.  It has always been this way, and I daresay it always will. All of which brings me (in a round-a-bout way) to …. Continue reading

Fairy stories.

Recently there was an article in one of the leading newspapers citing that fairy stories were too scary for children. The wolves, witches, and woodsmen found within these tales regarded as being not only terrifying, but overtly sexual; the themes to adult, the violence to real. Now, I don’t know what fairy tales they are reading their kids but I don’t seem to recall the big bad wolf banging away at little red riding hood or the woodsman revving up his chainsaw to indulge in an orgiastic bloodlust. Perhaps, I would have enjoyed them more if they had, but let’s stick to the status quo for now.

Of course there are sexual undertones to a lot of fairy stories, the tale mentioned above being full of them, but do you really think a child of five is going to get these underlying themes? If you have a young child who stops you half way through reading them a bedtime story to ask ‘Mummy, do you think that’s a metaphor for cunnilingus?’’ then it’s not the story you should be worrying about but your parenting skills. The same goes for violence. Yes, in the wonderful Grimm’s tales there’s a lot of beheadings, people burnt alive and all manner of inventive deaths but I don’t think a child will go to bed imagining the tearing of flesh or rivers of blood. I would think they go to bed happy that the princess was rescued and good triumphed over evil.

Of course, I can only go by my own experience. My sister and I were read to every night (Bless my father for this) and in those tales we encountered the entire spectrum of ghoulishness. Did we wake up screaming every night? Nope, we slept through and the next day asked for more. I also think had my father thrown the fairy books away and began reading something without the virtues of terror, my sister and I would have gotten bored very quickly and turned on the TV. Thank God that didn’t happen. Those tales were the seeds from which our hunger for books began, our eagerness to read flowered, and our passion for language grew.  And that surely, even if we had of woke up screaming, would have been worth a few sleepless nights.

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Magic: A true story

Magic: the first religion of the world. From the ancient Sumerian culture to boy wizards upon the silver screen, the subject of magic has intrigued and fascinated mankind. Yet, what is it that draws each of us to its mystery? Why do we seek out what we know to be a charade with such gusto and why do we; in this world of science and facts, feel the need to escape all that we know to be real?
I myself, have always (as many writers do) found magic intriguing. From my early memories of visiting cabaret shows as a child, watching mesmerized as the (often grey haired odd looking) man in top hat and tails performed sleight of hand tricks, to the illusionists that flickered within the confines of my parents old TV set, the spectacle of these practiced man made miracles has, and still continues to, captivate me.

Of course, it’s all tricks. Charades performed with technical know-how, smoke and mirrors and deception… or is it? Continue reading

Part of me wishes, hopes perhaps, that somewhere, buried under the top hats, the waxed cabinets and cloaks, that the seeds of real magic are still to be found.  And that just maybe, the miraculous isn’t as far away as we are led to believe.

The mention of this reminds me of an encounter I had as a young boy. My memory of the following events is a little hazy with the passing of time, but the effect it had on me is as clear to me now as it was when I was seven years old. So let us for a moment turn the clock back, peel back the years and arrive at a circus situated by the English sea-side of Great Yarmouth.

It’s a grey afternoon; the drizzle that began earlier that morning has made good its promise of rain and is now slickening pavements and chasing the unwary to café’s in search of a hot drink to warm their hands. Sea-gulls circle over head in search of discarded chip wrappers, squawking angrily at the lack of pickings and as the wind picks up from the north sea, the lamps that line the sea-front spring into life in a futile attempt to make the walkways seem more inviting to those looking out from behind rain splattered windows. The majority are wise though. They shut their curtains against the cold and fall back to their comfy chairs by the fire, but not before they notice a small boy standing in the rain, his hair flat upon his head, the duffel coat he wears two sizes to big dwarfing his frame. They watch for a moment, wondering what the youth is doing, then the rain seizures the glass of their window once more and dampens their curiosity. The boy must be a fool, standing out there in the cold.
… the cold. The boy doesn’t feel it. So entranced is he by the image of the big top with its towering canvas and spider-web ropes that he is oblivious to the elements, lost in his own thoughts, and having wandered off as children do… lost to his parents also.

He walks forward, off the pavement now and onto grass upon which the towering structure sits, his eyes looking up to the flag which is being buffeted by the cold wind, it’s black and red design unfamiliar to him.
‘’It represents the people of Kebart’’
The boy turns to see who the one who spoke.  A thin wisp of a man is standing at the big tops entrance dressed in a floral jacket and orange trousers. It’s a strange combination, in fact, he can’t ever recall seeing such ridiculous attire. ‘’I’m sorry’
‘’The flag. It’s called the d’Jyre’’
‘’Oh, I see.’’ Though, if he was being honest, he didn’t see at all.
The man laughs, it’s a sound that’s almost musical, more in keeping with a woman’s voice than a mans. ‘’It doesn’t matter. The tribes are mostly forgotten now; and those of us who are left are becoming forgetful. The world does that to you know. People have no need of us, not when science can put a man on the moon and beam images and sounds across the air like… so much magic. Ah, but where are my manners. With a theatrical flourish the man bows and curves the air with his hand ‘’Palwon Kerpechsky, conjurer, juggler and of course… magician, at your service. ‘’ He looks up from his crouching position and raises eyebrows so long they threaten to escape the confines of his face. ‘’And…’’
‘’And?’’
‘’My dear boy, it’s still customary is it not to precipitate is it not?’’
‘’Recipt..tee…’’
‘’Your name dear boy, your name’’
‘’Richard’’
‘’Pleased to make your acquaintance …Richard. Now may I be so bold as to ask what exactly are you doing standing in the rain?’’
‘’I’m not sure, I was just-‘’
‘’Just looking. Asking what wonders reside in such a place and hoping that with luck you may find out. Well, it looks as though luck is smiling upon you. Time for answers and of course… wonders’’
What was it the boy’s parents said ‘never talk to strangers’?
‘’I really should be going.’’ The boy looks back along the sea front only to find it empty. Had he wandered so far? ‘’My parents will be worried’’
‘’Ah, of course. But perhaps if not a tour, a sample. Think of a colour’’
The boy is still scanning the rain, searching for movement in the grey. ‘’A what?’’
‘’A colour dear boy. And let’s make it more difficult. An object too. Anything you like. A tea pot, ladder, a bicycle. Think hard and concentrate’’
The boy turns to look at the man once more. The man isn’t much taller than he, not the most imposing figure. Nothing like what the magicians on the television looked like with their top hats, white gloves and pretty assistants. The man before him looked as though he had fell into an oil puddle and been painted by its colors. Magic: hardly.
‘’Come on… think’’
What harm would it do? The boy sighted on the big tops entrance, its dark folds… black. And ropes, each leading from ground to canopy in a criss-cross that defied logic.
‘’Ok, I have something,’’
‘’No no no. To easy. I can see what you’re looking at, what you’re thinking. Try harder. Imagine.’’
The boy huffs then moves his eyes searching for something else. Railings, sky, crisp packets, birds. All too easy. Think. And then it comes to him. Snowflakes. And purple. Purple snowflakes. Let’s see how he likes that.
The magician Kerpechsky sees the boy smile and knows he now has to prove his worth. He closes his eyes and slows his breath, clears his mind and slowly raises his hand, reaching out to grasp the boy’s thoughts.
‘’Well?’’, the boy asks.
‘’Patience’’
The boy watches as the magicians face contorts with concentration, the thin hand trembling in the air. Snowflakes: the boy wills the image wanting it to pass through the air. Purple snowflakes. Purple snowflakes. Purple snowflakes. The magician’s arm is shaking now, trying hard to catch the boy’s thoughts.
‘’Matches. Orange matches’’
The magician lowers his hand and beams that huge smile again. ‘’Orange matches my boy’’
‘’No’’
‘’No. What do you mean no?’’
‘’It wasn’t orange matches’’. The boy laughs.
‘’Are you sure?’’
‘’Yes, quite sure. You’re not much of a magician are you?’’ The boy asks it in good humor feeling the man before him has played a harmless joke on him. The man Kerpechsky smiles back.
‘’It must be the rain. Interferes with the thought patterns’’
‘’Must be.’’
Another smile.
‘’Tell you what. Here-‘’, the would be magician reaches down into the folds of his coat and produces three pieces of card. ‘’Bring your parents along with you to the show tomorrow. The rain may have cleared by then, so who knows. You may yet see some real magic.’’
The boy looks apprehensive. The folds of the tent in which the man is standing look so dark. So uninviting now.
‘’Here, take them’’
A voice calls in the distance. It’s one the boy recognizes for it his name that carries through the rain. He turns to see a figure moving closer. A woman, her hand up in a futile attempt to stem the downpour, his coat buffeting in the wind. The boy sensing the nearing safety of his mother darts forward and grabs the ticket before quickly turning and running from the looming tent.
‘’Where have you been? You’re soaked. I’ve been worried sick’’
‘’I got tickets for the circus mum. The magician gave me them’’
‘’Magician? What magician?’’
‘’Him’’. The boy turns but the man has gone. The folds of the tent closed.

Minutes seem like hours when a child is waiting for something, hours like days. The next day the rain had moved to a different town and the sky, though not yet blue, did allow the sun to be seen, even if it did appear to be a grey white ball. The boy watched its slow movement willing it to move faster, but the sun was in no more hurry than the clock that ticked behind him, it’s passing seconds achingly slow. He moved back to his bed, dislodging an accumulation of comics, their black and white interiors spilling onto the carpet, and laying his head closed his eyes to think about the circus. Would there be lions? Elephants? The tent certainly looked big enough to house all manner of animals. His thoughts suddenly moved to a memory of himself watching King Kong on the television with his parents. Maybe they have a huge gorilla.

The evening did of course come… eventually.

The boy is holding his mother’s hand though he feels he is a little too old to be doing so. He is told it’s because there are lots of people around and he may get lost, he suspects it’s more to do with the fact his mother forgot her gloves and is using him to keep her hands warm. His father, also by his side, is wearing thick woolen ones. His father it seems is more organized. The boy’s thankful that it’s he who has the tickets. The three of them stand in a throng of people slowly moving towards the huge tent, the top of which obscures the now setting sun, its highest point threatening to pierce the sky. It looks to the boy, bigger and more imposing than when he saw it the day before. Perhaps, he thinks, it grew having taken sustenance from the rain. They move closer and the boy’s father hands three tickets to an attractive young woman at the tents entrance. A few words are exchanged and the woman laughs, the boy’s mother scowls at her husband who in turn looks down at his son and winks. It is a gesture that is lost on him. And then together they move inside.

The boy can’t remember ever seeing so many people. They stretch round the vast interior in rows of seats each a dozen deep, head upon head, a continuous flow that circles the big tops centre, all with eyes large in expectation. The boy and his parents find their seats, two rows from the front. It gives them a level view of the circus ring; its surface layered with sawdust and discarded flyers. The boy waits with expectation. The lights dim, darkness gathers momentarily only to be broken once more by a spotlight, its glow presenting a tall man dressed in a red jacket, black trousers and top hat.
‘’Ladies and gentleman.’’, the tall man announces, ‘’Welcome to the show. I am Mr. Relanus. And this is my circus.’’ There’s a cheer and the sound of clapping. The show begins.

There were no lions, tigers or elephants or giant gorillas, but there were monkeys dressed in jackets that juggled. Knife throwers, trapeze artists (the boy’s father enjoyed the spectacle of the leggy gymnast a little too much judging by his mothers frownl) and of course clowns, their painted faces bringing forth more scares than laughs from the children.  But it was the magician the boy waited for. Not because he was certain the man would put on a good show (if his display of power yesterday was anything to go by, it would be poor) but because in their brief meeting he had felt a sort of kinship pass between them. An understanding that though the world may not play host to magic, the idea it might was enough. As it was, the magician was the last to appear. At first the boy didn’t recognize him. Gone were the bright trousers and floral jacket, this time replaced by the more traditional magician’s attire of black trousers and jacket with tails. It made him look a little taller than the boy remembered, but was that platforms he spied upon the bottom of the man’s shoes?
‘’Palwon Kerpechsky, master magician at your service. And I welcome you to my world of magic’’
Well, it wasn’t exactly a world, but there were tricks and illusions abound. The crowd gasping as Kerpechsky appeared to levitate (all done with wires the boy’s father told him), and oohing as he reached into a small box only to pull out number upon number of white doves. Act upon act of wonderment and tricks or not, it was obvious he was the star of the show. Not bad for a funny little man the boy thought. The lights dimmed once again as the show reached its conclusion and Kerpechsky , cast now in a soft spot light addressed the audience.
‘’Now, for my final act, I ask you all to be quiet. I need no distraction as I call upon all my powers as I summon the very air to do my bidding… please be silent and observe’’

A hush flowed from the rows of people, each leaning forward slightly having been so entranced by the magician. All watching with expectation as the small man in the centre of the ring played to them.
‘’Quiet’’ he said again. ‘’Quiet’’
The crowd watched as the man closed his eyes, moved his head back upon his neck and raised his arms, fingers outstretched.
‘’What’s he doing’’ someone asked.
‘Shush’ replied another.
The boy like many others he suspected, held his breath, afraid the sound of air escaping his lips would break the silence and in turn destroy whatever was about to take place.

A moment passed.

Another. The boy’s heartbeat sounded loudly in his ears, he urged it to still. Not yet, stop, just for a moment, just until the trick is complete.
And then it began.
Slowly at first. The boy felt something on his hand. An ever so slight cold touch. He looked down but could see nothing in the gloom of the tent and discarded it as a breeze or Goosebumps. But then it came again this time upon his nose and then yet again once more upon his hand. He looked up and could just make out something falling from the tents canopy. Was it leaking? Others now were also becoming aware of it, face upon face looking up at the dark canopy overhead, each seeking some explanation for the cold feather-like drops falling to their skin.
And then the lights came on.
‘’My God’’ the boy heard his father say.
Snowflakes were falling. Thousands, millions perhaps. Each tumbling softly downwards to the crowd below.
‘’It’s not possible’’ the boy heard someone say. Perhaps it was his mother. Whoever it was the boy knew they only grasped half of the magic at work here. For those who took time to look closely would have noticed that the snowflakes were not white, but purple.
The boy looked back over at the man standing in the centre of the ring. Kerpechsky still had his head raised but sensing the boys gaze now returned to meet his eyes and smiled. ‘Tricks…’ that smile told the boy ‘… and illusions are easy. But magic… now that takes a little time.’
—————————————————————————————————
I never saw or heard of the magician again, though I did recently look for him online when the idea of writing this occurred to me. My mother and father told me it was a trick done with a see through bag filled with confetti placed above the audience; though I could see by their faces they knew what they told me wasn’t true. I suppose being adults they tried to find a scientific explanation where there was none, and to this day they still stand by that it was a trick. I have noticed though that whenever it snows my father shudders a little.

And he no longer can stand the color purple.

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‘Nowhere Hall’ by Cate Gardner Review

You may have heard of Cate Gardner, her name is mentioned in numerous blogs, twitter feeds and writing forums.  Her work is published in numerous magazines and books and her collection of short stories titled ‘Strange men in pinstripe suits’ has gained rave reviews and praise for its inventiveness and originality. I’m happy to say Cate isn’t one to rest on her laurels. ‘Nowhere Hall’ published by ‘Spectralpress’ more than fulfills the promise of her earlier work. The strangeness is still present (we wouldn’t want it any other way) so too is her ability to make unnatural events and characters seem as real as the very air we breathe, but this time she has added a layer of melancholy upon each page that is beautiful as it is heartbreaking.

‘Nowhere Hall’ begins with a broken man standing upon the kerb contemplating stepping in to the traffic in an attempt to end the many failures of his apparently pointless life. Ron, it seems is such a failure that even this task is beyond his capabilities. He dawdles, teetering on the edge between hopelessness and extinction, watching others around him, silently wanting to be seen, to be noticed and perhaps to be saved. He turns to look behind him, aware that his actions are being watched; the concierge of a hotel tips his hat in Ron’s direction, a silent gesture telling ‘I see you and your lack of conviction.’ The world it seems does notice him, it just doesn’t care. Feathers caught on the breeze, pulled from a passing woman’s dress rise into the sky and Ron’s eyes follow their ascent, it is here that he captures sight of a black umbrella tumbling down, apparently falling from the nearby hotel. He catches it, and sees a tag attached. Written upon it are the words ‘We want to live. Help us.’  He looks back to the hotel, a moment ago a monument of gleaming gold and polished brick, now it sits neglected, the concierge gone, its windows boarded up, it’s welcoming entrance lost to dust and time.

What follows is open to each reader’s interpretation. Is Ron hallucinating, is it a dream, or did he indeed step into the road and find himself in some strange after-life?  Each person will find their own answer and it is in this tight-rope walk of not giving too much away but just enough that makes ‘Nowhere Hall’ such a fantastic read.  It’s not the only reason of course. Cate’s writing is top notch here. The description is the kind that makes other writers wince at how good it is, the inventiveness imaginative and the prose elegant and intelligent. The ‘Vestibule hotel’ is beautifully rendered taking on a character of its own as Ron walks its halls and tries to uncover its secrets. Its wallpaper peels (revealing the disconcerting image of a spindly man holding an umbrella); its rooms hold ghosts and play out memories, desires, dreams?  And its staircases creak and groan as we (well Ron) move further up eager to understand more of its mystery.

And there is mystery here, just as there is terror and yes, even beauty. All it wrapped together in a dark yet heart wrenching atmosphere that is expertly created in Cates unique style. I’ve read a number of books lately, many by well know authors such as ‘John Connolly ‘, ‘Gary McMahon’ and ‘Ramsey Campbell’ each has been enjoyable and rewarding, yet it’s ‘Nowhere Hall’ that I keep returning to. I find myself thinking about it whilst at work, when I’m standing at the checkout and lazing on my sofa. I find myself haunted just as Ron is and it’s this perhaps that makes Cates outing so special. It stays with you long after you have turned the final page. I look forward to reading more of Cate’s work and advise you to do the same. If this is an indication of what’s to come from her in the future then we are in for a very enjoyable ride.

Right, now the bad news. ‘Nowhere Hall’ saw only a limited print run, all of which sold out very quickly, so unless you have been lucky enough to grab a copy, you’re going to be hard pressed to get your hands on it. Saying that, I have a feeling that it may be taken up by other publishers (I’m looking at you Ellen Daltrow and Stephen Jones) and re-printed elsewhere in the future. I hope this is the case as this deserves a wide audience. Failing that, if any of you out there do want to read it (and if not, why not) then email me directly at beckettbaron@btinternet.com and I will lend (my copy is special to me so I do want it back and failure to return it will mean I will send the demons of hell after your ass) you my copy along with postage for it to be returned. Can’t say fairer than that. See, I bet you’re glad you took the time to visit now.

Cate’s collection ‘strange men in pinstriped suits’ is available at Amazon and also check out her forthcoming Novella ‘Barbed wire hearts’ forthcoming from Delirium books. You can find all about Cate and her work at her website www.categardner.net

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Dreams and landscapes

Writing what is often termed Speculative fiction (though this is a very large umbrella under which numerous genres shelter), is enjoyable and sometimes frustrating, though never dull. There’s something very therapeutic about thinking up unusual events and characters, yet do we really create the things we write, or do they emerge from some other place other than our imagination?

I have a life separate to the one I present to the waking world. And although I have no photographs or mementos from my experiences there, I find it no less tangible than the one in which I currently reside. I have friends in this other realm, and places to which I have grown fond of. And before you begin to think that the place I speak of is all sweetness and light, know that whilst beauty and wonder is abundant there, just as in this physical world, so too is darkness and strife. And just as in life, it creeps unexpectedly, catching you unawares. I am of course speaking about dreams.

Throughout my time on this spinning rock I have had a number of what are known as recurring dreams. Though recurring is somewhat misleading as this indicates I have the same dream over and over, and that the details of them remain the same with each telling. True, whilst the places and people (though people is generalising, sometimes the personalities take on forms far from what could be termed human) are known to me, the events and actions experienced are always unique, and more often that not, a continuation of what has come before. For example: Continue reading

When I was around five, I dreamt whilst crossing some vast desert, coming across an apparently empty town. The town itself wasn’t anything remarkable; anyone who has seen a movie western would be familiar with its structures. Ramshackle huts, house made from timber, each with porches upon which rocking chairs swayed buffeted by the breeze. Streets empty save for the odd dried weeds. I walked along those streets, peering into windows as I did so, searching for some sign of occupancy, slightly fearful of the silence and loneliness of my surroundings, yet unwilling to sound my presence, mindful of what may be watching me from afar. And there was someone (or something) watching me, I was sure. That dormant animal instinct that lies within us all had risen to the fore of my senses. And it told me: be wary, it sees you.

Some years later I visited the town again. Though this time its appearance had changed slightly. Windows, which before had been visible, their glass stained with sand and dirt, were now broken and hidden behind rags which were pulled by the wind, exposing the jagged glass beneath. And the streets, once showing no signs of life, now housed a collection of footprints; trails meeting and dividing, the remnants of some populace, who still remained hidden from me. Again I walked those streets, though this time gingerly. Jumping at each sound, turning only to find a door banging against its frame or chair rocking upon wooden boards. Eventually, tired of my wanderings, I gained the courage to call out to whatever was hiding from me, my voice sounding loudly upon the air. No response came. Though still, I had the feeling my words reached more than just the neglected houses.

Jump forward to July 2010. Once more, I returned to the town within the desert, and made my way along its streets. The footprints were now abundant, crossing this way and that, yet apparently leading nowhere and the town itself appeared to be rotting. Beams now littered the buildings interiors having falling from the fastenings, and doors which had upon my first visit been intact, now had panels broken, their paint peeling from years spent uncared for against the elements. I investigate a few as I walked along the streets, peering in only to find them as before, empty and still, yet as I reached the streets apparent centre something caught my eye. Upon one of the houses fronts a piece of paper was pinned. It flapped in the wind, attached by a single nail, like a bird eager to escape its confines. In plain black lettering it read only this: These heavy sands are language tide and wind have silted here.

On waking I quickly jotted the line down. What did it mean? I felt as though it was obviously written to me, for I had seen no one else within the town, but its apparent meaning eluded me. For days I pondered over the mystery, asking friends if they recognized it or could interrupt its meaning, all to no avail. Ah, the internet. That wonder of the 21st century (yes I know it was around before that, but let’s be honest, how many of us had access in the 90’s?), the sum of all knowledge. Looking back, it should have been my first port of call, but who honestly looks for messages given to them in dreams online? I typed in the message and there it was: These heavy sands are language tide and wind have silted here. From ‘Ulysses by James Joyce. Now, I have never read ‘Ulysses’. True, I may have no doubt encountered quotes from it in my time, but still, it’s quite odd. Joyce’s book describes the passage of Leopold Bloom through an ordinary day in Dublin and establishes a series of parallels between characters and events in Homers Odyssey and his own character of Bloom. The passage in question relates to the character Stephen and his thoughts on the role of language in relation to the past. Reading it didn’t bring me any revelation, if anything it just confused me further. I can only surmise that the note, though using that very passage, carried a meaning unconnected to the context of Joyce’s Stephen character. In short, its message was for me alone.

I have yet to find the meaning to the puzzle, though I have racked my brains over it numerous times. I can only surmise that the answer will be revealed to me in time; perhaps when I next come upon the town in the desert. Though when this will be I have no idea. It could be tomorrow, or even years from now, if at all. Though I feel I am destined to return and perhaps find the one who resides there. Part of my wonders whether in death, I will leave this world only to find myself there amongst its houses. Wandering alone, waiting as the one before me did, for someone to come and search its streets. And will I too leave a letter nailed to a door, in the hope that they will be the one to unlock its mystery?

Food for thought then. The waking world is a place of wonder. Its beauty so rampant and prosperous that we take it for granted. So too, is that other world. The one in which we spend one third of our lives. Its wonders may be difficult to interrupt, they may seem alien to us. But does this make them any less moving, any less important? I’d like to think not. And let us not forget, sometimes, they cross. This dream world spilling into the waking, its shores reaching over onto the very banks on which we sit. Look and you may find remnants. ; Pieces of driftwood signposting places unknown on any map, trinkets strangely familiar to us, though the wearers name escapes us. Scents carried from lands far removed from the ones we know.

A separate life? Perhaps not.

One day I may write a story about all this. Perhaps reading this, you think it is already just that: a story. I often question it myself. Just as I question the other recurring dreams I have. The most common being the girl who has followed me throughout my years, appearing now and then to simply chat and ask me about how things are going earth side. Though when I’m in a relationship she vanishes, only to appear once the relationship has broken down, voicing her opinion with a told you so. Dream women it seems, are no less tactful than waking ones.

Speculative fiction then. Writing it can be fun and rewarding. Even if it does make us a little mad Smilie: :)

Now as the observant ones of you may have seen, the title of this post is ‘Dreams and landscapes’, a nod towards Stephen Kings Dreamscapes and nightmares. King as you may now recently published a collection of short stories titled ‘Full dark no stars’, very good it is to, the first story ‘1922’ being a favorite of mine. Being as I have two copies of this, I’m giving away one hardback copy to one lucky person. All you have to do is post here asking to be included, or falling that (I know lots don’t have a WordPress account) email me at beckettbaron@btyahoo.com stating the same thing. I’ll pick a name at a random from a hat stolen from a magician and notify the winner on, let’s say August 30th. Good luck.

Oh, you have to click on the post title to comment Smilie: :)

Recently read : The passage by Justin Cronin
Hard landing by Stephen Leather
Hellbound Hearts anthology various
Listening to : Violet Cries by Esben and the witch

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Word counts and the forgotten scene

Word counts. I am in constant battle with them. I can see the reasoning behind them when it comes to publishers, but damn, they frustrate me.

At present I have a story titled ‘The progeny host’ out for submission. The maximum word count cited by the publisher (which will remain nameless at present) was a strict 6000 words. Plenty to play with you would think. Wrong. The word count on my laptop soon gets eaten up and upon completion of my story it was standing at 9500. Way over. I put the story away for a few days, then feeling refreshed, when to it with a large editing knife.

I cut and cut, re-arranged and re-wrote, and though I was now sitting in an abattoir of words, I had managed to squeeze it into the word count… just: 5998 words. Phew!

I sent the submission, but I felt a little disappointed in the story. Fitting it into the word count had meant I had to change quite a bit. My vision for it was diluted, the story now merely a promise of what could have been so much more. You see, by changing it, I had taken away the very essence of what I wanted to tell. I wanted the story; though a horror story, to be more than that. I wanted it to have some fantastical elements to it also. These parts; the fantastical moments, were lost. Only the horror remained.
I still like the story I sent. The writing is fairly tight, and I had fun working on it. But, still, it’s a shame isn’t it?
The ending in particular was hard to cut. The ending in the original version was nearer what I wanted. It was dark, yet beautiful. Horrific, yet comforting. Alas, it was too long. Way to long. It had to go. The re-write ending is simpler, shorter, and completely different. It works, but was it better?
For those few who have read the version I submitted, and for those who haven’t, but who just like to read this stuff anyway, I include the original ending here, in its first and only draft. Perhaps i should have cleaned it up, but then some things are best left as they are. How else are we to learn from our mistakes.

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The progeny host: The missing end scene.

She sat up. The television must have turned itself off, for the room was now in darkness, the only indication she was awake, a drone that crashed and rose like a wave to her ears, filling the room with its music. She moved her hand up to her face; its movement slow as though passing through treacle and rubbed her eye, feeling hard beads pressed between knuckle and lid. She moved it away and tried to make out its shape , unsure now of her waking. It’s form eluded her. She was breathing harder now, fear rising from deep within her, a child’s fear, pure and unreasoning; the animal fear of the dark and what it may contain. She turned to her side, fingers fumbling for the lamp at the bedside, the cord thick in her hand, thicker than she remembered it; its plastic coating moving under her touch like a stream of jumping beans as though alive. Regardless, she found what she took to be the switch, just one press and….

‘No’

She froze. The buzzing hushed slightly as the voice sounded, lowering its volume so the word could reach her ears unconstrained. She recognized its tone immediately, and her heart, which just a moment ago had been beating to burst, now seemed to stop dead as she put name to the voice.

‘Ned?’

A second passed and her heart once again found its rhythm. It sounded so loudly she doubted she would hear a reply if one came at all, but come it did, and with it confirmation.

‘I’m here Mae’

She was dreaming, had to be. Her husband was dead, buried more than sixty miles away. It was impossible to entertain the idea he was here in the room with her, speaking in a world of living. But if a dream, then it was one she had longed for. To hear him again, to say sorry for all her wrong doings, to hold him like she once did.

‘I forgive you’. The voice sounded. A dream it is then, how else could the entity read her thoughts.

‘Can I see you?’ The question sounded ridiculous; surely all she had to do was think upon what she wanted. Her mind conjured a clear day, Ned standing in his cream shirt and navy jeans, a smile wide upon his face, a gentle breeze toying his blonde hair. The dream was obeying it seemed. She felt a slight ripple across her face, and with it, sight began to return to her; the darkness dissolving from her, the room slowly coming into view, the buzzing sound low now, moving away until in the dim light she saw him. Her mind had tricks yet to play it seemed; for the man before her though resembling the image of her husband, hadn’t been conjured of flesh and blood, but of some dark cloud that swam over his form, causing his outline to be indistinct, constantly rippling like smoke from a fire. She edged closer upon the bed and realized her error. It was not smoke he was made of, it was flies. They gathered together in there thousands, legs and wings mixed together to create a whole; black and glistening before her.

She gasped and brought her hand to her mouth.

‘I’m here Mae’, the multitude said. ‘You missed me, yes?’

‘Yes’

‘I too. So long I waited. To feel you again.’ he moved towards her and raised a hand to her cheek. She let it upon her skin, the insects vibrating causing her senses to tingle. Sensing her pleasure he leant down and planted a kiss to her lips, the contact crushed a host of flies upon her mouth but she allowed him access, eager to feel his tongue inside her, its dryness rough in her throat, the tiny wings tickling her as they buzzed. Then his hand was reaching between her thighs, pushing her nightdress up seeking her sex, black fingers rolling over her skin. Her whole body was ignited by the sensation, her pulse quickening as the man of flies moved over her. She reached down and found his cock, its size once adequate, now made bull like by the myriad of insects that made up its shaft, their numbers tumbling over her fingers as she worked him, only to be replaced by others eager to take their place at his centre.

She heard his mummers of appreciation and pulled him to her, opening her legs drawing him in. In a heartbeat he was thrusting, pushing his hive into her as she racked the flies along his back, biting down onto his shoulder, filling herself with every part of him until she was gorged upon the insect.

There love was deep. It burrowed into her flesh, into her sex, her ears and eyes. Wherever they found access the flies teased pleasure from her. She felt a sharpness deep within her lungs and breathed in letting, them fill her, swallowed as they swam upon her throat, inhaled until they filled her nose and danced up into her skull. She loved him she knew. Now in this form that found him more than ever. Dream or not she would be by his side always. The constraints of her flesh were being lifted as his form fed upon her. By morning Wallace would enter to find only bones she thought. She would have laughed, but her tongue had all but deserted her, its meat crumbling. Let it. She was eager to be rid of it. There were wonders waiting for her beyond this form. He had shown her that. Together they would be cloud, a river, a storm. The thought once conjured soon left her, flying free upon the air, then seeking refuge joined the maelstrom happy to take its fill of the flesh.

End

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The troublesome muse

The muse: that annoying little creature that potters about your home. You give it a roof to sleep under, free helpings to your fridge and belongings, all in the hope that it will share its precious gift of inspiration with you. You wait, and you wait. The contents of your fridge diminish; you watch as it rubs its growing belly and you beg it to give you something: a word, a sign, anything. There’s movement, you move closer in expectation. This is it. Here it comes. It lifts a cheek and rasps, then settles back down upon your sofa. You grit your teeth, and continue waiting. The muse, it has to be said, is a fickle creature.

Lately it seems my muse has deserted me. Maybe it tired of my constant prodding, or perhaps it just tired of me and my choice of yoghurts. Either way, it has left me high and dry with nothing but a flashing cursor in the corner of my laptop for company (That too, is following in the muses footsteps; taunting me, flashing on and off with promise, but little in the way of input). Well, I have wittered and cursed. Paced back and forth, slapped my forehead (just for effect of course, one must play the troubled writer even if there isn’t much in the way of writing being done), and generally become, for want of a better : a miserable sod. The days passed, the nights grew long and inspiration I came to suspect, had indeed followed Elvis in leaving the building for good.

Then something happened.

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A friend of mine sent me a text message informing me he was going to write a story. I looked at it in some surprise. You see, the friend in question used to write quite a bit, though this was some years ago, and life being the time demanding thing it is, hadn’t sent me anything to read in an awfully long time. At first, I was elated. A good friend in which to share ones interest is a gift. But then I began to question his statement. And this in turn, changed to doubt. Yes, I’m ashamed to admit, I doubted him. Was it possible I thought to brush of the accumulation of a decade’s creative cobwebs and find the motivation to sit once more with pen in hand? To be arrogant enough to call upon the muse, expecting it to appear with ideas in hand after having ignored it for so many years? Two days later I had my answer.

His story appeared in my inbox, just as he had promised. I made myself a cup of tea, took a deep breath and began to read. Fifteen minutes later, I made myself another cup of tea and thought about what I had read. It was alright. In fact, it was better than just alright, it was good. A considerable feat regarding the time he had been away from writing stories. It was then I realised where my bloody muse had moved too.

A couple of days later we spoke on the phone (I and my friend that is, the muse was probably too busy raiding his fridge to speak). I went through all the questions people who write ask other writers: where did you get the idea, how long did it take how many drafts etc. The usual stuff. And as we spoke, something magical started to happen. I began wanting to write. I wanted my friend to feel the same way I had when I first clicked on his story. For him to also sit back afterwards and wonder as I had: just well the hell did that come from? And as I put down the phone I began to realise that muses’ are actually not as rare as I had come to believe. True, they may be hard to recognise at first, but like looking upon one of those magic eye pictures so popular in the 90’s, in time they spring into view, leaving you wondering how on earth you didn’t see them clearly in the first place. Try this: next time you feel your quarrelsome muse has followed in your ex-girlfriend / boyfriends footsteps and left your home leaving you nothing but a toaster for company (didn’t need to add that bit, but damn that woman). Think of how those people close to you feel when they first read something you have labored over. Of the emotions that rise within them, all because you have triggered them cause to do so. It feels like you should write something, doesn’t it?

So, yes, my muse deserted me. But looking back it wasn’t much of a muse to begin with. It was lazy, and if I’m being honest; it’s breath smelt. And you know what? I’m glad to see the back of it. I have no more need of it; though in it’s departure i learnt a valuable lesson : Inspiration comes from different places and within different forms. It resides in sunsets and storms. In flashes of lighting and pearls of thunder. In the tides of oceans and the fall of snows. It surfaces in smiles and laughter, in sadness and loss. In the memories of our past and within our hopes for the future.

I of course, found it in the place where I should have looked for it first. Where it had always been waiting to be discovered. I found it in a friend.

Currently reading: Habour by John Ajvide Lindqvist
Listening to : Keepsakes by All about eve

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The Act of Writing

The worlds of writing and acting share the same ground. Though each can present rules (rules often broken in the name of the very art practiced) pertaining to their craft, the writer and the actor’s paths often cross, and in some cases they may find themselves walking along the same road, or indeed treading the same boards.

A writer; and I’m speaking about fiction writing here, not Joseph Stone at the local paper, doesn’t just write; he inhabits. To make characters readers will care about, fear for, and in the case of some talented authors, come to love, it isn’t enough to breathe life into our creations. We have to be them for a time, don their skins, and see the world we have created through their eyes. In short, just as the fore-mentioned actor plays a part, we too have to know our role.

The roles may be abhorrent to us, the mask ugly, the skin uncomfortable, or they may give us a glimpse of a life that we had always hoped for, but for some turn of chance eluded us. We need to give them a voice, so we write phrases and responses. We read these words aloud (reciting dialogue is often said to be the best way to get it right), adding yet another layer to our imaginary characters skins. And if we are feeling passionate (or in most cases if we have the house to ourselves), we may mimic a tone or accent that is unnatural to our voice, breathing yet more life into our written creations. It is at this point we are no longer writers, but actors. And the better we play the part, the more believable our characters become.

For knowing each personality; we gain insight into what makes them tick, and this in-turn, will hopefully give them a life worth caring about.

Currently reading: The girl who played with fire by Stieg Larsson
Listening to: Smoke and mirrors by The Eden House

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Welcome Back!!

Welcome to the new website/blog.

We had some hosting issues with the last lot, so new we are trying a new company. So far so good (fingers crossed).

So, what’s new then I hear you ask. Well, as we lost EVERYTHING when the last host went down, we have had to start from nothing again.

But the site will be here to do it’s job, which Is keep you good people In the loop on what I’m up to with my stories, be it story samples for you to comment on, or any news on my stories being published, you will see it here first.

It’s basic, but it will serve it’s purpose well I can assure you all.

So keep visiting, keep commenting, and keep spreading the word about the new site/blog.

I thank you all.

**Oh, by the way. To leave a comment on ANY news/article we post, just click the news/article name, It will bring up the comment section. You MUST be logged in though**

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